Kilroy was here

I fluctuate between wanting to obsessively chronicle everything, and hating getting photos of myself taken + trying to “live in the moment.” In case it’s not super obvious by my recent blog posts, right now I’m in the former state, after maybe a few years in the latter. I’ve realized that the desire to make an impact on the world can manifest in smaller ways than a choice of career path, like when I went on vacation and realized that the only/main way I could “leave a mark” on a place that felt meaningful and transformative to me was to take a bunch of photos. I don’t think that’s the main reason other people take photos in a place, but I also know that I’m not alone in wanting to touch the places and things and people that have touched me. (That’s why Kilroy existed! That’s probably also a big reason why this blog exists…) Part of this shift is

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Why I’m restarting my blog

The reason is actually pretty simple, but I wanted to have a public explanation in writing. I visited the Bauhaus-Archiv in Berlin, and they had a wonderful special exhibition on the works of Jasper Morrison. There were two parts to the exhibit: one was Thingness, a retrospective that showed various works of furniture and other everyday objects that Morrison had created or collaborated on over the last 35 years; and the other was The Good Life, a selection of photo essays from his book of the same name. I really enjoyed reading about the Morrison’s design/thought processes in Thingness, but I was truly ~inspired~ by The Good Life. In each of the photo essays in The Good Life, Morrison writes about something that he noticed and photographed – he reflects on why that thing piqued his interest and imagines what sorts of conditions caused it to come in existence. I’m doing an awful job describing them – you’d probably get

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